Last week of the exhibition. Closes around 4pm on Saturday 9th October. Thought I’d try and get a few more images on-line. Most of these are happy snaps I have taken but a few of the better ones (like the lucky cats and the itty bitty kitty machine) are by my excellent photographer friend Erica Lauthier. I have taken a few movies of the pieces in motion but need to change format etc before I can post them up. Will try and do this early next week.
The bodies of the dancers are made from broken blades found along the sides of major streets. They are fixed together with wire and solder.
Brightly coloured alco-pop (and beer) packaging has been used for the tutus. The graphics are already designed to grab people’s attention and stand-out in the drinks fridge. The printed face has been used on the underside of the skirts where the multiple layers confuse and intensify the gaudy colours. It is all excitement and froth as the dancers kick their legs, jump and turn.
The brown top layer makes the ballerinas appear demure and graceful just like all good ballerinas should be.
This piece was short-listed for the BSG Prize 09 and was also exhibited at the Sydney Opera House as a part of the Avant Card ‘We love 3D‘ program.
Blanketed in their endorsed skins this odd couple are united as members of one tribe; an odd-ball gang; a strange aquatic squad. Instead of individual details of claws, fins, lips, wheels and heads one sees amorphous colour and pattern.
… extra, imported be .. from mexic, .5% alc/vo, empaque, 4 x new 330 ml, distil 48 using onsumer, lder of bottle, importa….
I share a house with a lot of fish and a turtle called Spencer.
A while ago Spencer was run over after she’d escaped from the pond. It was summer, it was hot and our turtle was looking for love. Luckily she was found and taken to the vet who wired togther her shell. Spencer then had to spend 8 months recovering in a hospital tank in our lounge room. This gave me plenty of time to model her.
The end of year show for 24hr art 2009 was a celebration of 20 years of exhibitions (175,200 hrs). They asked for postcards from members and I sent them this:
These fish are a little larger than the metcard ones. Not so constrained by the size of the cardboard. Am still working on how to exhibit the mobiles.
From a tissue box, some metcards and alfoil packaging.
This work was short-listed in the Togart 09 Contemporary Art Award.
This small scale cardboard sculpture depicts one of my most treasured experiences.
This memory combines nostalgia, a love of the emptiness of Australia and an easy, sisterly companionship.
It also involves my car.
My car, a 1964 Ford Falcon XM sedan, is a dream of chrome and stream-lining but it is old and it is slow.
In 2000, in an episode of defiance, against good sense, distance and physics, my sister and I drove this car across Australia and back to surprise our mum for her 50th birthday. As kids our family would regularly make the trek up and down the Stuart Highway. These early trips were about speed and getting to our destination. We were car bound for 15 hours a day; meals were prepacked and toilet stops timed to coincide with refuelling. My sister and I were well trained in efficient road travel.
My car was not.
The old engine and small radiator meant we motored at a gentle 50 mile /hr and, every 3 – 4 hours, the car needed to cool down. So, a couple of times a day, with a thermos of coffee and a couple of camping chairs, we waited. In the vast, red, empty space we waited like grand dames of the interior. With the bonnet popped, on the side of the road we were characters in our own Merchant Ivory production.
With a different car, the mood might have been ‘Mad Max’ or ‘Vanishing Point’ or there may have been no need to stop in the middle of nowhere at all.
Some of these photos are by Erica Lauthier.
For Togart 09 catalogues click here
A work in progress photographed at Lee Point Beach, Darwin.
Thought I might have a go at a couple of stencils for the Melbourne stencil festival.
So I started with an old piece:
And cut some layers. (I used my current favourite beer packaging for each of the stencils – maybe not the best idea I have ever had.)
And because really the part I like most is cutting out, I decided to try 2 stencils:
And decided I needed a mega-sized met card top layer:
And, well the results are mixed. Decided not to enter them in the festival. Will have another go when I get some spare time. Did quite a bit of air-brushing at school and so feel determined to master this… later.
Stickers made from the cardboard Quadrapod works.
I sent them to Spain in response to a flickr call to artists.
Metcard reliefs.
Exhibited in the Tag Tree Exhibition Group show, Hampshire, UK, 2009.
This exhibition aimed to amass 1000 tags from across the world and the call for entries was posted through flickr. The works were to be exhibited in two shows: an indoor, gallery show Hampshire, UK, and an outdoor exhibition to be held in a tree.
Had to have a few tree hanging prectices before sending them off.
For images of the indoor exhibiton see the photos in flickr. I do not think they have been stuck in a tree yet.
Kirsty loves cardboard 
